Irrespective of its content, Petrus Liu’s Queer Marxism in Two Chinas probably would have found success on the basis of its title containing the words “Queer,” “Marxism,” and “China”. That may be the point...
What are the politics that undergird Hou Hsiao-Hsien's "The Assassin", which has been much fêted on the film festival circuit? Are they ultimately the politics of Taiwan's pro-unification Left?...
The transformation of Chinese landscape painting should not only can be seen as a history of incorporation with Western style, but also should be regarded as the psychological molding process of building a culture’s subjectivity, in which artists contribute to the construction of national nostalgia and a literature of tragedy....
