Peiyi Yu

一位台灣醫生的「超現實」加薩人道救援之旅

「剛剛離開加薩時蠻沒真實感的。」鄔醫師道。「當我們離開加薩的緩衝區時,人們幾乎不在乎扔掉半瓶汽水,或是彈掉抽一半的香煙,就像在正常世界中一樣。」根據鄔醫師的說法,在距離以色列-加薩邊境約10公里的納瑟醫院的工作站裡,四個水槽中只有一個能提供還算穩定的乾淨水源。根據CSIS、國際樂施會、聯合國兒童基金會、BBC和CNN,由於以色列對加薩基礎設施的針對性打擊,加薩地區幾乎沒有穩定的乾淨水源。...

A Taiwanese Doctor’s “Surreal” Humanitarian Journey in Gaza

“Leaving Gaza was surreal. As we left the buffer zone from Gaza, people care little about throwing away half a bottle of soda, or flicking a cigarette, like how things are in a normal world,“ said Dr. Wu. According to Dr. Wu, just about 10 kilometers away from the blockade, only one out of the four sinks at Dr.Wu’s workstation in Nasser Hospital supplied a somewhat stable source of clean water. According to CSIS, Oxfam International, The United Nations Children’s Fund, BBC, CNN, there were barely any sanitation standards for water outside of hospitals because of Israel’s targeted strikes on Gaza’s infrastructure....

The Disinformation Booth at Taipei 101 and the Falun Gong

"China intentionally release COVID virus?" reads the title of one of the plaque boards on the information device placed in front of Taipei 101 at a juncture that saw heavy tourist traffic. Consisted of multiple plaque boards, a screen and speaker on auto replay, free pamphlets, and a mock 101 on top, the art device resembled a news booth. The information, listed in multiple languages, included China’s human rights abuses, calls to end CCP, but also patently unfounded conspiracy theories about the Chinese government intentionally releasing the COVID virus that put China itself in a 2 years lockdown, and an economic coma from which it has yet to fully recover....

A Snapshot on Public Art: An Interview with Cal Y Canto Dance Group

The young audience exclaimed when the dancers of Cal Y Canto dance group wheeled a giant goldfish kite to swoop over them, aghast with wonder. Cal Y Canto‘s performances at the New Taipei City Children’s Art Festival had created a following for themselves. Their performances between July 14 to July 20 at the Children’s Art Festival regularly gathered a crowd of youthful audience every night at 8:30pm. The dancers saw their free for all performances for children as a way to “recover the public space"...